*sigh*
On the workshopping site I frequent,
Clean Until the Final Act has gone down like a sack of onions. I would have said potatoes but onions have more layers, which if you read on will make a little more sense. It appears all the subtleties have been spectacularly overlooked and the story is just a predictable revenge tale. Rather unfortunate, to put it mildly. But I don’t see the point of trying to explain. After all, can I be there to point out to every potential reader that, for example, there may be a reason why Triggerman Joe’s speech is all italicised? No. Or that one of the themes is the (ab)use of religion as a means to an end (in this case violence)? Again, no. So, um why bother? Besides, maybe the story, which I had high hopes for—the highest, in fact—does indeed stink. I don’t think so, but then I wrote the damn thing. Time or rejection slips will tell...
My usual reaction to a small disaster such as
Clean Until is to do an about turn and head in the opposite direction. So, my densely-written treatise on religion/religious motivation segues into a simple tale about a boy who sees sharks. Oh, and dead people. Well, actually it’s one dead person. His brother. Anyway, instead of taking three weeks to write the first draft of this story, it’s down in just two sittings. Admittedly, it’s rough, as in unreadable-to-anyone-but-me rough, but all the elements of what I call the surface story are there, in place. All they need now is some care, attention, and much polish. The title, if anyone is interested, is probably one of my best:
Sand Between a Dead Boy’s Toes. I think the finished story may live up to that and at the same time heal the wound caused by the response to
Clean Until...